ProLine-X Level 2 enclosure is built to pound.

• CNC cut,
• Heavily Crossbraced
• Double baffle
• Slot Ported
• Optimized for the Subwoofer

Dimensions:

34 wide x 14.5 tall x depth varies

Color:

High-Quality Black

ProLine-X Level 2 enclosure is built to pound.

• CNC cut,
• Heavily Crossbraced
• Double baffle
• Slot Ported
• Graphic Insert on face

Dimensions:

34 wide x 14.5 tall x 12.5 deep

2.0 ft tuned to 30hz

4ohm Single Voice Coil Subwoofer

Color: High-Quality Black

The Unity U6-S is a shallow-mount 2-Ohm option to the Unity U6V2 6.5-inch driver, and with a mounting depth of under 50mm is the shallowest high-performance 6.5-inch woofer of its kind.

The Unity speaker line offers an ideal solution to upgrade the speaker system in a vehicle having either 6x9-inch or 6.5-inch door speaker locations by including several outstanding midbass and midrange speaker options. The 6x9-inch Unity U69-S, featured here, is a high-performance driver designed to function as the door speaker in a 2-way or 3-way front stage, in conjunction with the various Unity midrange drivers, such as the all-new Unity U2, and optionally with the Unity U1 20mm tweeter.

Quick Specs

New for 2019, the revised The Stage 1 Mirus V line-up is comprised of dedicated coaxial kits for the cost-effective, OEM replacement market.

"We managed to get Hybrid Audio-level performance at this price point; the Mirus name is Latin for 'astonishing'; Hybrid Audio is sure that you will be astonished at how good an entry-level coaxial can truly sound (and look)."

Mirus V represents a radical departure from the norm for Hybrid Audio Technologies. As we set out to improve the already astonishingly-good Mirus range, special attention was paid to critical factors in the Mirus V price range: markedly improving sound pressure level and incorporating drop-dead gorgeous looks. Mirus V boasts carbon-fiber cones and titanium diaphragm tweeters that swivel, along with other features you’ve come to expect in a Hybrid Audio design: reverse-roll high-loss surrounds, powder-coated frames, and integrated low tolerance polypropylene crossover capacitors for the tweeters.

Diameter: 5x7-Inches
Frequency Response: 86 Hz - 20 kHz
Mounting Depth: 2.66-Inches
Power Handling: 60 watts
Suggested Crossover: 85 Hz

Size guide

Features and Functions

• 6-Channel, Full Range, Class A/B

• On-Board, Full Function, 8-ch. Digital Signal Processing

• High-pass and low-pass filters, phase control, signal delay, and 15 channels of parametric equalization on each channel

• Optical Digital Input

• BT Streaming: Bluetooth Port for external APTX HD Module (optional)

Specifications

• Power @ 4Ω: 6 x 100 watts

• THD @ Rated Power  < 0.5% THD

• Power @ 2Ω: 6 x 150 watts

• Power Bridged @ 4Ω: 3 x 300W RMS

• Signal to Noise Ratio > 90dB

• THD + Noise < 0.2%

• Channel Separation  >60dB

• Frequency Response 15Hz to 30KHz ±1dB

• Input Sensitivity .25v to 5v

• Dimensions in mm: 160(W) x 52(H) x 452(L) Overall: 160(W) x 52(H) x 488(L)

The HDSP-Z16 V is the best hardware that Zapco has ever built, and the numbers attest to that. Although the HDSP is composed of 18 individual pieces put together in a modular version that is easy to adapt or update according to your needs, the background noise and the crosstalk numbers are superb. The end result surpassed even the expectations of the designers and engineers who built it. It took almost three years, but eventually came this unique piece of hardware that we believe will remain in the history of Zapco and set new standards for what is possible in audio reproduction. The numbers are the proof of the design, for example -140 dB of background noise and  -115 dB of crosstalk. For a 16-channel device, crosstalk at -115 dB (average around 1 KHz) is proof of the accuracy with which the layout was made. But of course, background noise and crosstalk are not the only numbers that matter in audio devices. All the others, while not so spectacular as -140 dB floor noise, are superb. The digital inputs have 114 dB of A-weighted signal/noise and the analog ones 109 dB at rated output. We kept the output voltage at 4 Volts to avoid added distortion of analog preamplification. Distortion of analog and digital inputs are lower than 0.001% at 4 Volt output and lower than 0.00175% at 1 Volt output. The HDSP-V power supply continues to work down to 6  Volts to solve the problem of cars that have the stop-start ignition system. The main processor is a dual-core 456 + 456 MHz, 8 and16 channels solution have a 192 and 96 kHz sampling rate and the converters are new 32 bit/784 KHz devices from AKM. Very importantly, it is an HD Player that works at 24 bit/192 KHz integrated with DSP. There is no connection between the Player and the DSP, no PCB, no connectors, no cables. Player and DSP are integrated into one dual-core chipset that has a total power of 912 MHz. Then there is a microprocessor that controls only the Player and does not have to do other heavy computational work like can happen, for example, with a computer. So, you can say it is DSP within a DSP, or the most sophisticated DSP existing with an onboard HD Player. The player has a dedicated browser that starts to work immediately when you insert the USB memory stick. It can read all formats up to 24 bit/192 KHz, compressed or not compressed, and from the 3” touch screen display, you can control all the functions using 3 different levels of folders. The dashboard that controls the Player also controls minor DSP functions and can manage up to 10 tuning presets with instantaneous switching of one to another for A/B comparison.

Specifications

• 16 Channels DSP with HD Player

• 8 Analog Inputs (RCA + High Level), 5 Digital Inputs, 16 Analog Outputs

• Modular device: High-end solution with 18 independent PCB

• Player & DSP: All-in-one dual core processor

• DSP Processor: OMAP L-138 - 2 x 456 MHz, 32 Bit (till 64-bit/IEEE double precision)

• DSP Processor Point: Fixed & Floating

• DSP Sampling Rate: 96 KHz

• Player power: 456 Mhz - Arm 9 32 Bit

• File Audio formats: WAV, AIF, AIFF, FLAC, ALAC, AAC, MP3, Directories: File/Artist/Album/Title

• USB memory stick support: Formatted FAT32 with no limited memory space

• ADC Processor (standard): AK5558, 32 Bit, 784 KHz, 115 dB DNR

• ADC Processor (option B): AK5578, 32 Bit, 784 KHz, 121 dB DNR

• DAC Processor (standard): AK4458, 32 Bit, 784 KHz, 115 dB DNR

• DAC Processor (option B): ES9028, 32 Bit 784 KHz, 129 dB DNR

• DAC Processor (option A): ES9038PRO, 32 Bit, 784 KHz, 140 dB DNR

• Frequency response: 5Hz @ 45 KHz

• THD+N: 0,0008 (Digital Input), 0,001 (Analog Input) 1V Out

• S/N Device Floor Noise: -125 dB (from 20 Hz to 20 KHz), -135 dB (from 150 Hz to 20 KHz), -140 dB (average from 80 Hz to 20 KHz)

• S/N Ratio (Digital Inputs): from 115 to 120 dB A

• S/N Ratio (Analog Inputs): from 109 to 115 dB A

• Crosstalk: > 110 dB (from 300 Hz to 0.9 KHz)

• Crosstalk: average 115 dB (from 300 Hz to 0.9 KHz)

• Analog Inputs: 6/8 x RCA Low Level 1/5 Volt, 8 x High Level 4/20 Volt

• Digital Inputs: Optical: 24 Bit - 192 KHz, SPDIF: 24 Bit - 192 KHz, 3 x i2S: 24 Bit - 192 KHz

• Analog Outputs: 16 x RCA, 4 Volt (5 KOhm),  Impedance: 100 Ohm

• Dash Board: 3" Touch Screen, 10 Preset

• Dash Board Control: Volume/Sub/Balance/Fader/Tone

• Wireless Control: Wi-Fi External Module (incl.)

• BT Streaming: External APTX HD Module (opt.)

• Tuning: Easy and Expert, "Double Front"

• I/O Setup: 2ch, 4ch, 6ch, 8ch, OEM SUM, AUX

• Digital Input Mode: HD, Optical, Coax, i2S 1, 2, 3

• EQ Parametric 30 / 6 poles (16 ch.), Parametric 15 poles (8 ch.)

• XO Filters: Linkwitz, Butterw., Bessel, Tsecheb.

• Phase Filter: All channels 1Hz/1 Degree step

• VSEQ Filter: 50-200 Hz - 1 Hz step

• Power Supply: Operating: 6-16 Volt, Current Draw: 750 mA/14.4 V, Fuse: 1A

• Stop-Start ignition system support

• Main unit overall dimensions (mm): 217(L) x 164(W) x 57(H)

• Dash Board dim. (mm): 111(L) x 16(W) x 49(H)

A Full-System Preamp for people who are serious about sound quality!

Here is an Equalizer/Preamp worthy of the Zapco name. The ASP-Q1 was not designed to be an “accessory” toy or a piece of jewelry for the dash. The ASP-Q1 was designed to be an effective tool in tuning and controlling the sound of a car audio system. As a dash mount equalizer it is unmatched. With 5 bands of parametric equalization you can put up ±18dB of correction at any points in the frequency spectrum with out being limited by fixed center points. With audiophile grade internal components in the signal path and precision pots for all adjustments, the sound will be clean and transparent, with rock-solid bass and crystal clear highs. The ASP-Q1 excels as a crossover as well. You can configure a 2-way with bass and dual highs or as a 3-way crossover with a band pass. The aux input with its own input gain controls allow a portable source to be plugged in and level matched to the main input.  The over-sized power supply gives you  a 9.5 volt line driver with 14 volts available for peaks. This gives the ASP-Q1 plenty of headroom so even on the biggest signal peaks you amp will get a clean distortion-free signal. The ASP-Q1 is more than just an Equalizer. It is a true control preamp for your sound system.

Features and Functions

• Five bands of Parametric Equalization: Since no two cars are the same, there is no way for us to know exactly where the center points need to be in any particular car. The ASP-Q1 lets you vary the center point of each of your 5 EQ bands to put the correction exactly where you need it to custom tune your system to your car.

• Variable 18dB/octave electronic crossover: There are 4 crossover filters on the ASP-Q1. You can only 3 filters to configure a 2-way system with a subwoofer and front and rear speakers with high pass or full range and fade front to back from the EQ. You can also use all 4 filters and configure an active 3-way system with a woofer, a band passed midrange and a high pass for a tweeter.

• Separate Bass Control: Bass output is controlled separately. The bass lever lets you balance the bass to the highs. As well as the crossover filter for the bass there is a bass phase control to adjust the phase of the bass signal from 0 to 180 degrees to help align the bass wave to the rest of the system.

• Auxiliary input: The ASP-Q1 has an auxiliary input so you can play from another in-car source or from a portable player.

• Input gain controls: Each channel of both main and Auxiliary input has its own input signal adjustment.

• Balanced/Unbalanced Inputs: The ASP-Q1 can accept either balanced inputs, with a Bal/UnBal switch for Main-in and Aux-in.

• Tiffany style panel mount RCA connectors: These give positive, trouble-free RCA signal connection

• High voltage power supply: The ASP-Q1 has a remote high voltage power supply for or a true 9.5 Volt RMS preamp output.

Specifications

• THD < 0.001%THD

• Signal to Noise Ratio > 110dB

• Stereo Separation 92dB

• Headroom 20dB

• Preamp Output 9.5V RMS / 14V Peak

• Dimensions (mm): 121(W, w/RCA) x 25.5(H) x 176(L)

Two years ago, Zapco introduced the new DSP-Z8 IV signal processor. It was designed to bring true audiophile sound quality to an affordable DSP. And it did just that! The DSP-Z8 IV provided sound quality superior to units costing even twice as much. Even competition cars are using the Z8 IV, right up to one of the top Master Class SQ cars. The DSP-Z8 IV has been a true giant killer. But, as we have always said, and always will say, “We believe we can still do better”. This year we present the Zapco DSP-Z8 IV II and the ADSP-Z8 IV-8 Amplifier. What’s new with the Series IV II? Just about everything, new form, new features, new control... even improved sound quality with a lower noise floor.

The sharp new look matching the Black and Copper theme of the AP amplifiers is only the beginning. The hardware inside is where the magic begins. A quick fact: You can only be as good as your source material, and the DSP-Z8 IV II series greatly expands your potential for the best possible source material. The Toslink optical input accepts the digital signal from your head unit or from a portable HD player, but the IV II series doesn’t stop there. The DSP-Z8 IV II units also have digital Bluetooth streaming so you can stream digital music.

Specifications

• DSP Processor: Cirrus Logic CS47048    

• Power: 150 MHz/32 bit/48 KHz

• 8-Channels

• ADC: Cirrus Logic CS5368 24 bit/192 KHz

• ADC Dynamic Range/THD: 114 dB/-105 dB

• DAC: Cirrus Logic CS47048 32 bit/192 KHz

• DAC Dynamic Range/THD: 108 dB/-98 dB

• Low level (Pre)/Sensitivity: 8/1-5 VRMS

• High Level (Spk In)/Sens.: 6/2-20 V

• AUX Inputs/Sensitivity: 1/0.2-4 VRMS

• Optical IN: 24 bit-192 KHz

• Output Ch. RCA/Sensitivity: 8 / 4 VRMS

• Freq. Response (-3dB): 10 Hz - 22.5 KHz

• S/N Ratio Digital Input: 110 dBA    

• S/N Ratio Analog Input: 106 dBA    

• THD+N Digital Input: 0,002 %

• THD+N Analog Input: 0,005 %

• Crosstalk at 1 Khz: 90 dB

• F/R EQ: 1-6 ch Gr. & Par./31 poles

• Effect EQ: 7-8 ch Gr. & Par./11 poles

• Mute/Solo: Yes, each channel

• Time Align. (Range/Steps): 0/15 ms / 0.02 ms

• Max Delay (Cm/Steps): 515 cm / 0.68 cm

• Polarity: 0/180°

• Display (included): 1” LCD

• Display (optional): 3” LCD Touch-Screen

• Bluetooth Streaming

• PC/Display Connection: USB/6-pin Mini DIN

• Unit Dimensions: 210(L) x 125(W) x 48(H)

• Display Dim.: 111(L) x 49(W)  x 16(H)

Audiophile: An audio fanatic whose sole passion is an accurate sound reproduction that brings all the purity of a live performance to recorded music. It is a familiar term with high-end home gear like McIntosh or Bryston, but a term always considered unattainable in the automotive environment. Zapco disagrees! In 1974 Zapco began a quest for perfect sonic reproduction. While perfection may be unattainable, the quest is no less worthy. In 2000 we introduced the C2K Competition amplifiers and in 2012 we introduced the new Z-Series amps with high-end internal components matched for pure sound quality.

This was our first line developed by listening rather than by measuring, and they were called the best Zapco ever. How did we respond? We said “thank you, but we think we can do even better”. And we did. We upgraded to top end audiophile caps and op-amps, redesigned the power supply, and made board modifications to create the Z-Series LX amps. Not only did they top the car audio comparisons, but home speaker makers even brought their speakers to our CES suite to demonstrate what their speakers could do. The LX was beating their demo home amps in sound quality. How did Zapco respond? We said, “thank you, but we think we can do even better”.

And we did! New for 2018, Zapco built an amplifier to set new sound quality standards for both home and car sound reproduction. The Z-AP Series.

Features and Functions

• 4-Channel, Class-AB, Competition Audiophile Amplifier

• Signal to noise ratio of over 110dB

• Coupled the output drivers

• Highest HFE (Gain) Sanken selected output devices 

• Deferentially balanced input stage 

• 0.1% resistors for lowest possible noise floor

• TI LME49720 (BJT) op-amps on the inputs

• TI LME49720 (BJT) op-amps in the signal path

• WIMA MKS2 series caps in the signal path

• Extremely low ESR caps throughout

• Proprietary patented RCA connectors

Specifications

• Power @ 4Ω: 4 x 150 watts

• Power @ 2Ω: 4 x 250 watts

• Power @ 4Ω Bridged: 2 x 500 watts

• THD @ Rated Power  < 0.05%

• Signal to Noise Ratio > 110dB

• Frequency Response 10Hz to 30,000Hz ±1dB

• Input Sensitivity 1v to 9v

• Dimensions in mm: 190(W) x 62(H) x 444(L) Overall: 190(W) x 62(H) x 479(L)

The Studio-X line of amplifiers from Zapco was designed specifically for today’s car audio market. The Studio-X compact chassis makes it an easy fit in any car and even in motorcycle fairings.

The square, low profile chassis also means it will be easy to trim out for a great looking installation so your system will look as awesome as it sounds. And speaking of sound...This is a Zapco amplifier and sound is what it’s all about. These are Class A/B Zapco amplifiers.

The Studio-X have the same high-quality caps, op-amps, and bi-polar outputs that made the C2K and Reference series amps the industry standard for sound quality. 

Reliability? Zapco defines reliability. It’s not at all unusual to see Zapco amps moved from car to car and from generation to generation. Zapco Amps produced in the ‘90 are still being traded and bought on the internet by sound quality fans worldwide. The Studio-x will be no different

Features and Functions

• Single channel, Class D,  Bass Amplifier

• Compact chassis

• Variable input gain control

• Variable electronic crossover

• Variable subsonic filter

• Variable bass boost control

• Variable center frequency for bass boost

• variable phase control

• Strappable to use a pair of amps on a single voice coil

• Dash mount remote gain control

Specifications

• Power @ 1Ω: 1 x 1000 watts

• THD @ Rated Power  < 0.2%THD

• Power @ 2Ω: 1 x 750 watts

• Power @ 4Ω: 1 x 500 watts

• Signal to Noise Ratio > 85dB

• THD + Noise < 0.2%

• Efficiency > 85%

• Frequency Response 10Hz to 200Hz ±1dB

• Input Sensitivity .25v to 5v

• Dimensions in mm: 160(W) x 52(H) x 288(L) Overall: 160(W) x 52(H) x 314(L)

The Studio-X line of amplifiers from Zapco was designed specifically for today’s car audio market. The Studio-X compact chassis makes it an easy fit in any car and even in motorcycle fairings.

The square, low profile chassis also means it will be easy to trim out for a great looking installation so your system will look as awesome as it sounds. And speaking of sound...This is a Zapco amplifier and sound is what it’s all about. These are Class A/B Zapco amplifiers.

The Studio-X have the same high-quality caps, op-amps, and bi-polar outputs that made the C2K and Reference series amps the industry standard for sound quality. 

Reliability? Zapco defines reliability. It’s not at all unusual to see Zapco amps moved from car to car and from generation to generation. Zapco Amps produced in the ‘90 are still being traded and bought on the internet by sound quality fans worldwide. The Studio-x will be no different.

Features and Functions:

• Single channel, Class D,  Bass Amplifier

• Compact chassis

• Variable input gain control

• Variable electronic crossover

• Variable subsonic filter

• Variable bass boost control

• Variable center frequency for bass boost

• variable phase control

• Strappable to use a pair of amps on a single voice coil

• Dash mount remote gain control

Specifications:

• Power @ 1Ω: 1 x 2000 watts

• THD @ Rated Power  < 0.2%

• Power @ 2Ω: 1 x 1500 watts

• Power @ 4Ω: 1 x 1000 watts

• Signal to Noise Ratio > 85dB

• THD + Noise < 0.2%

• Efficiency > 85%

• Frequency Response 10Hz to 200Hz ±1dB

• Input Sensitivity .25v to 5v

• Dimensions in mm: 160(W) x 52(H) x 420(L) Overall: 160(W) x 52(H) x 446(L)

Add up to four 8" full range woofers to your Harley Bagger with the Aggressor Pro 880 kit. This kit makes mounting two 8" speakers in each saddlebag quick, easy, and clean. Precision machined entirely from high-density plastic with steel threaded mounting points, this kit adds the structural integrity needed to support 2 high power speakers. Complete with powder coated pressed steel grills and all stainless steel hardware, this kit guarantees a spectacular end result. 

The Wall of Sound

Due to the exceptionally large amount of cone surface area, excursion, and efficiency that four 8" pro audio speakers have to offer, this kit delivers much more output than can be achieved with other speaker arrangements, such as two 6x9s alone. 

Exceptional Sound Quality 

Clear undistorted output. Made specifically for pro audio type speakers (not subwoofers). Because pro audio speakers are designed to play clearly at extreme volume levels for hours on end, pro audio speakers are much less stressed than a car audio type speaker in this application. Car audio type speakers do have their place but just can't compare in this kind of application. Drum strikes have a profound amount of force that you can feel just like live music. Much more dramatic than even very high-end home or car audio systems typically can deliver. 

 Totally Stealth

This kit can be used with or without lid speakers. This kit is much louder than lid speakers alone. This means that you can build a system that is totally stealth if you like. No visual queues that your bike even has a sound system, yet you have "melt your face off" loud sound. 

Works with Lid Speakers

This kit does work well with lid speakers. The woofers sit plenty low enough in the bag to clear large 6x9s or 8.8" lids. Also works with dual 6x9 lids. 

Works with 2014 & up Bags as Well as with 2013 & down Bags

One kit fits equally well with all modern baggers from '98 on up. Does not work with soft or switchback bags. 

Water Proof

100% waterproof design. Machined from high-density polyethylene and equipped with stainless hardware and generous gasketing, this kit can take all of the rainwater that you can throw at it.

SPEAKERS NOT INCLUDED!!!

Several speakers are a direct bolt-on fit for these mounts. Our favorite speaker for this kit is the Diamond Audio HXM8. These speakers have all of the desirable characteristics of a great pro audio speaker but also offer several additional benefits that make them the clear choice for this application.

Fitment:

Harley Davidson Road Glide, Street Glide, Electra Glide, Road King, Ultra, & CVO Models. Will not work with CVO saddlebag amplifiers. Will work with CVO if you remove the saddlebag mounted amplifiers. Works with factory or aftermarket stretched bags.

The most popular Aggressor Woofer kit is the Pro 80.

 The Pro 80 comes as a pair (left and right) only. The kit includes everything that you will need to properly mount two pro audio 8" woofers (1 each bag) and also reinforce your saddlebags for higher output. Speakers are not included.

• Two 8" Woofer Mounts (left & Right)
• CNC Machined HDPE Construction
• Router Templates Included
• All American Made Stainless Hardware
• 2 Powder Coated Steel Grills Included
• 100% Waterproof
• Leaves Most of the Bag Available for Storage

The Unity U69-S is a shallow-mount 2-Ohm option to the Unity U69V2 6x9-inch driver, and with a mounting depth of just 75mm is the shallowest high-performance 6x9-inch woofer of its kind.

The Unity speaker line offers an ideal solution to upgrade the speaker system in a vehicle having either 6x9-inch or 6.5-inch door speaker locations by including several outstanding midbass and midrange speaker options. The 6x9-inch Unity U69-S, featured here, is a high-performance driver designed to function as the door speaker in a 2-way or 3-way front stage, in conjunction with the various Unity midrange drivers, such as the all-new Unity U2, and optionally with the Unity U1 20mm tweeter.

Quick Specs

Size guide

Details coming soon... available in 8" thru 15" sizes