Step‑by‑Step Guide on How to Install Amplifier in Car
Disconnect the battery negative before you touch a power wire, then confirm 0 volts at the amp in...
Read Article →Monoblock, 2-channel, 4-channel, and multi-channel amplification from seven brands.
Authorized Dealer
Every amplifier is brand new with the full manufacturer warranty.
Power Matching
Send us your subwoofer or speaker specs. We'll recommend the right amplifier at the right impedance before you buy.
Hands-On Expertise
Direct support from staff who designs, builds, and competes with these systems. Honest recommendations, not upsells.
Fast Shipping from TN
In-stock orders ship within 1-2 business days from our Tullahoma, Tennessee warehouse.
Decision Shortcut
Curated picks matched to common build goals
Best Monoblock Value

Prodigy Audio
1200W mono Class D monoblock at accessible price. The right entry point for serious subwoofer amplification.
$ 272.99 $ 326.99
View DetailsBest Compact Monoblock

Wavtech
1000W mono in a compact footprint. The shallow-amp choice for tight-install builds.
$ 399.99
View DetailsBest 2-Channel for SQ

Audio Wave
Reference Class A 2-channel for the ultimate front-stage SQ build.
$ 3,499.99
View DetailsBest Reference Tier

Tru Technology
Hand-built 2-channel Class A reference. The absolute top of the catalog.
$ 8,500.00
View DetailsAmplifier selection is where most car audio builds go wrong. Buyers focus on the wattage number on the box rather than the class of amplifier, the channel configuration, or whether the rated power is actually delivered at a usable impedance. Getting this decision right the first time is what separates a system that sounds the way you intended from one that underperforms or damages components.
This is the first decision. A monoblock puts its full rated output into one channel for a subwoofer. A multichannel amp splits output across two or more channels for speakers, and can bridge a pair to drive a sub if the channel count allows.
| Monoblock | Multichannel | |
|---|---|---|
| What it drives | One subwoofer | Speakers, or speakers plus a bridged sub |
| Channels | 1 | 2, 4, 5, 6 or 8 |
| Typical class | Class D | Class AB or Class D |
| Impedance stability | Usually stable to 1 or 2 ohms | Usually 2 or 4 ohms per channel |
| Bridging | Already mono, no bridging | Bridge a channel pair for sub duty, at the cost of separate tuning |
| Pick it when | The sub gets its own dedicated amp | You want one chassis running the system |
Once you know which side you are on, the channel count should match what it's powering.
Monoblock (1-channel): Built for powering a single subwoofer with full rated output into one channel. The standard choice for subwoofer amplification in any car audio system. Most monoblock amps are stable at 1 or 2 ohms, which provides flexibility in wiring configurations. Match the amplifier's RMS power at your subwoofer's wired impedance to the driver's RMS rating.
2-channel: Built for powering a front stage component speaker system, with one channel per side driving the woofer and tweeter through a passive crossover. For listeners focused on sound quality and front stage imaging, a dedicated 2-channel amplifier for the front speakers paired with a separate monoblock for the subwoofer is the cleanest system topology.
4-channel: Powers front and rear speakers from a single unit, or can be bridged to mono on two channels to drive a subwoofer while the remaining channels handle the front stage. Practical for builds where space and budget favor a single amplifier over multiple dedicated units. Modern 4-channel designs from Crescendo and Image Dynamics deliver performance that makes the compromise worthwhile.
5 and 6+ channel: For complex systems including active crossover builds, OEM integration projects, and competition-level setups that need more channels than a 4-channel amplifier provides. Many 5+ channel amplifiers include integrated DSP, which gives you channel count, processing power, and physical consolidation in a single unit. See DSP amplifiers for the units that combine both.
Class D: The dominant technology in modern car audio. Operates at 80-90% efficiency, which means less heat, smaller physical footprints, and less electrical draw on your vehicle's charging system. Class D designs have improved dramatically over the past decade. Modern Class D from quality manufacturers (Wavtech Link series, Image Dynamics SQ, US Acoustics monoblocks) is sonically transparent and appropriate for any application including critical listening.
Class AB: Operates at 50-65% efficiency with more heat and larger physical size for equivalent power output. The tradeoff is a bias current that keeps the output transistors partially on at all times, eliminating the crossover distortion that early Class D designs suffered from. This is the largest part of our amplifier catalog. For critical listening applications where absolute sonic transparency is the goal, a high-bias Class AB design (Tru Technology Billet, Audio Wave Excel, Crescendo Revolution, US Acoustics multichannel) remains the reference standard.
Class A: The audiophile reference. Operates with the output transistors continuously on, which produces the cleanest possible signal at the cost of significantly higher heat dissipation and current draw. Class A amplifiers are physically large, run hot, and require electrical system upgrades to power. The Audio Wave Excel CA, Audio Wave Aspire Pro V2, and TRU Technology Billet B22-A V2.5 are the reference Class A designs in this collection.
Match the amplifier's RMS output at your wired impedance to the speaker or subwoofer's RMS rating. RMS is continuous power; peak ratings are marketing numbers and should be ignored. Underpowering and clipping is more dangerous than slight overpowering with a clean signal, because a clipped signal contains DC voltage that overheats voice coils.
For subwoofers, a monoblock amplifier at the driver's RMS rating at the final wired impedance is the standard approach. For component speakers, the 2-channel or 4-channel amplifier's RMS at typical 4 ohm load should match or slightly exceed the speaker's RMS rating. For full-range systems, plan amplifier power for each frequency range (sub, midrange, tweeter) independently to ensure clean headroom in each.
Every amplifier draws current from your vehicle's electrical system, and high-powered amplifiers draw a lot of it. A 1000W RMS monoblock at 50% efficiency draws roughly 100 amps from a 12V system at full output, more than most factory alternators can sustain alongside the vehicle's other electrical loads. For builds over 1000W RMS total system power, alternator capacity and battery reserve should be part of the system design, not an afterthought.
Big 3 wiring upgrades (replacing the ground cable from battery to chassis, the ground cable from engine block to chassis, and the positive cable from alternator to battery with heavier gauge wire) are the baseline electrical upgrade for any amplified system over 500W. For serious builds, a high-output alternator and supplemental lithium or AGM battery is the right foundation.
Every amp below is in stock as of this writing. Power figures are the manufacturer's rated RMS at the stated impedance, taken from the product record. Where we do not hold a full per-impedance sheet on a model, we say so rather than estimate.
$272.99
1200W at 1 ohm, 950W at 2 ohms, 550W at 4 ohms, in a chassis 8.26 inches long. The 110A fuse rating tells you what it actually pulls, so plan the wiring accordingly. Subsonic filter is adjustable 10Hz to 50Hz and the low pass runs 35Hz to 250Hz, which covers sealed and ported builds without an outboard processor. If you are powering one sub and do not want to spend more than the sub cost, this is the amp.
$225.99
100W x 4 at 4 ohms, 150W x 4 at 2 ohms, 300W x 2 bridged at 4 ohms. Damping factor over 150 and a 40Hz to 400Hz crossover on both high and low pass. At 7.48 inches long it fits behind a seat or under a dash where a full-size four channel will not. This is the amp we reach for on factory-integration builds that need real power in a space that was never designed to hold any.
$289.99
150W x 2 at 4 ohms, 250W x 2 at 2 ohms, 500W bridged mono at 4 ohms. Full complementary Class AB with THD under 0.01%, signal to noise above 103dB, and damping factor over 200 at 100Hz into 4 ohms. Frequency response is 10Hz to 30kHz within half a dB. It is not 1 ohm stable, so this is a front stage amp, not a sub amp. For a component set you actually care about, the noise floor here is the reason to buy it.
$695.00
150W x 6 at 4 ohms, 250W x 6 at 2 ohms, 500W x 3 bridged. The important spec is the one most sheets leave out: direct input design with no onboard crossover. Nothing sits in the signal path between your processor and the output stage. Gain is discrete per channel. If you are running an active three-way off a Goldhorn or similar and you want the DSP doing the filtering rather than fighting an analog crossover, this is the correct topology.
$599.99
875W at 4 ohms, 1750W at 2 ohms, 3500W at 1 ohm, rated at 14.4 volts. Damping factor over 350 at 100Hz into 4 ohms, which is high for a Class D of this output. Subsonic filter 15Hz to 55Hz, variable bass boost to +12dB at 50Hz, and the wired remote is in the box. At 3500W at 1 ohm you are past the point where a stock alternator keeps up. Budget for the electrical work at the same time you budget for the amp.
$399.99
1000W monoblock in the Link mini footprint. This is the amp that goes in when the enclosure is already built and the only space left is the gap behind it. It pairs with the Wavtech thinPRO subwoofer line, which is the same design brief solved from the driver side. We do not hold a full per-impedance sheet on this model, so contact us with your final wired impedance before you order and we will confirm the rating against the manufacturer data.
| Amplifier | Class | RMS @ 4 Ohm | RMS @ 2 Ohm | RMS @ 1 Ohm | Price |
|---|---|---|---|---|---|
| Prodigy NBM100.4 (4ch) | D | 100W x 4 | 150W x 4 | Not rated | $225.99 |
| Prodigy NBM1200.1 (mono) | D | 550W | 950W | 1200W | $272.99 |
| US Acoustics Andrea (2ch) | AB | 150W x 2 | 250W x 2 | Not 1 ohm stable | $289.99 |
| Wavtech link1000.1mini (mono) | D | Not on file | Not on file | Not on file | $399.99 |
| US Acoustics Big Ben (mono) | D | 875W | 1750W | 3500W | $599.99 |
| US Acoustics Lanna (6ch) | AB | 150W x 6 | 250W x 6 | Not 1 ohm stable | $695.00 |
All figures are manufacturer RMS ratings from the product record. US Acoustics ratings are at 14.4 volts. "Not on file" means we do not hold a per-impedance sheet for that model and will confirm against manufacturer data before you order.
These are not the value picks. They are what the top of this catalog looks like when cost stops being the constraint.
$18,500.00
A true Class A monoblock, which means the output devices conduct continuously and the bias current sets the ceiling on output rather than the rail voltage. Rated continuous output at 14.4 volts and 0.1% THD is 50W into 8 ohms, 30W into 4 ohms and 15W into 2 ohms in Class A, with 100W into 4 ohms and 160W into 2 ohms available in Class A/B. Input impedance is 33k ohms, gain is +15dB, and the input stage takes either Burr Brown or Audio Wave op amps. Run direct and signal to noise is above 118dB. Minimum speaker load is 2 ohms. This amp exists to drive one high-sensitivity driver with the cleanest signal available in car audio, and nothing about it is a compromise for packaging.
$8,500.00
Hand-built Class A two channel from the Billet series. This is the front stage counterpart to the CR-30X: two channels of continuous-conduction output for a car built around the front stage and nothing else.
$21,999.99, previous demo unit
Six channels at the Aspire Pro level, for an active build that does not want to split duty across multiple chassis. This is a previous demo unit and it is labeled as such on the product page.
The Audio Wave Excel, Excel CA, Excel Monoblock, Active 250 and CR 401 Dual Mono sit in this same tier and are currently out of stock. We list them because they define the range, not because you can add them to a cart today. Contact us for availability and lead time on any of them.
Audio Intensity carries amplifiers from seven brands, each filling a specific use case in the catalog.
Crescendo: Competition-proven Class AB amplification. The Revolution line covers monoblock and 4-channel configurations for SQ and SPL-focused builds, with the 3A1 monoblock running Class D where efficiency matters more than bias. The right pick for buyers who want Class AB refinement matched to demanding driver lineups.
Wavtech: Compact Class D amplifiers engineered for high power density. The Link series (Link5001Mini, Link1000.1mini, Link1500.1plus) is the standard for tight-install behind-seat builds where amplifier footprint matters. Wavtech amplifiers pair naturally with the Wavtech thinPRO subwoofer line.
Tru Technology: Audiophile-grade Class AB and Class A reference amplifiers. The Billet series represents the top tier of car audio amplification, with hand-built construction and competition-proven performance. The right choice for buyers building reference-level SQ systems where sound quality is the absolute priority.
Audio Wave: Reference Class A and Class AB amplification. The Excel CA, Aspire Pro V2, and CR-30X monoblock are Class A. The Excel, Excel Monoblock, CR 401 dual mono, and Active 250 are Class AB. Between them they cover 2-channel front stage duty and full-range monoblock work at the high end of the catalog.
US Acoustics: Class D monoblocks and Class AB multichannel. The monoblock line (Mike, Nick, Big Ben) is built for SPL-focused builds where headroom is the priority. The Class AB multichannel line is the SQ side of the brand: Lanna at 6 x 150w, Andrea at 2 x 150w, Barbara Ann at 4 x 100w, Wendy at 2 x 75w, and Lisa at 4 x 50w, all with the bias-current refinement that front stage duty asks for.
Image Dynamics: The SQ series of full-range and monoblock amplifiers (SQ600.1D, SQ800.4, SQ1200.1D). Built with International Rectifier circuitry for clean power in a compact form factor. Pairs naturally with Image Dynamics IDQ and IDMAX subwoofers.
Arc Audio: Audiophile-grade amplification with a focus on musical accuracy. The Arc and X2 series cover SQ-focused builds with Arc Audio's signature sound character.
Yes, and it is the largest single change most systems can make. A factory head unit puts out roughly 15 to 22 watts RMS per channel and clips well before you reach listening volume. A dedicated amplifier delivers clean, stable power with headroom, which is what lets a speaker reproduce dynamics instead of compressing them. The difference is most obvious on midbass and at volume, where factory power runs out first.
In this collection, from $159.99 for a 4-channel Class AB to $39,999.99 for a dual mono Class AB reference amplifier. Price tracks class, build quality and rated power delivery at a usable impedance, not the wattage number on the box. A monoblock for the sub and a 4-channel for the speakers is the most common pairing we ship.
Match the amplifier's RMS output at your wired impedance to your subwoofer or speaker's RMS rating. Don't focus on peak power numbers. A 1000W RMS subwoofer needs a monoblock amp delivering 1000W RMS at the driver's final wired impedance. A typical 4-ohm component speaker rated 75W RMS needs about 75-100W RMS per channel from the amplifier. Underpowering and clipping is the most common cause of voice coil failure; match RMS to RMS at the wired impedance.
The classes describe the output stage design. Class D is the most efficient (80-90%), with small physical size and low heat. Modern Class D is sonically transparent and appropriate for any application. Class AB is less efficient (50-65%) but uses bias current to eliminate crossover distortion, making it the reference for critical listening. Class A is the audiophile reference, with continuous output transistor operation producing the cleanest signal but with significant heat dissipation. Choose Class D for most builds, Class AB or A for reference SQ builds.
A monoblock amplifier is the standard and best choice for subwoofer power. The full rated output goes into a single channel, optimized for the low impedance and high current demands of subwoofer drivers. A bridged 4-channel amplifier can power a sub if the channel count is constrained, but a dedicated monoblock is the right approach when system topology allows.
Depends on the system topology. For a system with front speakers and a subwoofer, a 4-channel amp can power the front speakers on two channels and bridge the other two channels to power the sub. This works for entry to mid-tier builds. For SQ-focused builds with rear speakers, an active crossover, or higher-power requirements, a 4-channel amp paired with a dedicated monoblock is the better approach.
Yes. Every amplifier in this collection is brand new, sold by an authorized dealer, and carries the full manufacturer warranty. Demo and display units are clearly labeled as such on the product page.
Subwoofers That Pair Well
These subwoofers match the power and impedance characteristics of the amplifiers in this collection. Pick the driver, match the wiring, get a system that performs as designed.
Speakers Worth Amping
Speaker systems that respond to clean amplifier power. The amplifiers above have the headroom; these components have the resolution to use it.

Rainbow
$ 139.99 $ 189.99

Ground Zero
$ 149.99 $ 199.99

Image Dynamics
$ 159.99

Audiocircle
$ 199.99 $ 229.99
DSP for Tuning Control
A DSP gives you crossovers, EQ, time alignment, and signal routing in a single unit. The amplifier delivers the power; the DSP makes the system actually sound right.
Subwoofers That Pair Well
These subwoofers match the power and impedance characteristics of the amplifiers in this collection. Pick the driver, match the wiring, get a system that performs as designed.